adrian is rad

1. Coronado, a beach near the Hotel Del. Mid-afternoon. Walking across that area of sand that’s firm because water has run over it recently and dipping my fingers into the chilly Pacific and pondering aloud if the military planes roaring overhead on their way to the base were Harriers. I don’t think they are.

2. A bar in South Park. Night time. Between local bands giving it their all on a small stage in the dark club and packed in among the local young hipster population, discussing merits of a variety of many recent bands on the scene with a new friend.

3. Balboa Park, near the Moreton Bay Fig. Late afternoon. Lying on my back on the slightly damp grass, staring up at the deeply saturated sky, talking about finances and how it’s strange to be an adult with an old friend.

I just got back from “South by” as some (silly) people call it.

I saw around 38 bands in 5 days. It was pretty crazy. Some amazing stuff (like J Tillman (listen in, Tarky!), Two Sheds, and Fanfarlo) and some not so great stuff, but overall I was pretty thrilled with the stuff I saw.

But it got me thinking about music. I mean, even moreso than normal. After all, I had five days to basically only think about music. Here are some thoughts:

• label: seeing so many great bands that are unsigned or not signed in America got me thinking that maybe I should start a label. I don’t know the second thing about starting a label, though–I know the first thing, the first thing is that it’s a time and money sink–so I’ll need to talk to some people and get a better idea of what’s involved if I’m serious about it.
• self: I want to start recording and playing more music. I was even thinking about trying to get enough tracks together for a demo and maybe try to play a show sometimes. I don’t know what instrument I’d use. Maybe Wurly or banjo? I’m not sure. I need to get better at instruments as well.
• self, pt 2: I think I ought to get decent at trumpet again and ply my trade to the bands of SF to play for them.
• blog: I spend a whole lot of time on that thing. Is it worth it?
• presents: I should present more shows, I think. I was even thinking it’d be cool to be involved in a party/ showcase at SxSW next year. I’ll need to talk to some people about how to go about this.

I’m in Austin for SxSW. You can follow along at my other blog or my other blog’s corresponding twitter feed.

David Bazan recommended some nachos to me tonight. This is the sort of life I lead.

Number of days: 112

Number of days or parts thereof spent traveling: 47 (3 to/ from, 7 intra-Taiwan (3 Kaohsiung, 2 Taroko, 2 Kinmen), 37 intra-Asia (7 Indonesia, 5 Thailand; 15 Hong Kong, Macau, China; 10 Japan)

Number of countries visited (since moving): 6 (Taiwan, Indonesia, Thailand, China, Japan, U.S.) + 2 special administrative regions with separate border controls (Hong Kong, Macau)

Number of countries visited (year to date): 8 (above + South Africa, Swaziland) + 2 S.A.R.s

Number of flights (since moving): 14 (SFO-> TPE-> CKG-> DPS-> CKG-> TPE-> BKK-> TPE-> HKG-> TPE-> NRT-> TPE, TSA-> KNH-> TSA, TPE-> SFO)

Number of flights (2007): 31 (SFO-> CVG-> IAD-> JNB, DUR-> CPT-> JNB-> JFK, BOS-> JFK-> SFO-> BOS-> DFW-> SFO-> HNL-> LIH-> HNL-> SFO + above + SFO-> CLT-> DCA)

Miles flown (since moving): 27,406 miles (44,106 km)

Miles flown (2007): 63,569 miles (102,304 km)

Number of high speed train journeys: 4 (Taipei->Kaohsiung->Taipei, Tokyo->Kyoto->Tokyo)

Number of train journeys: 6 (above + Taipei->Hualien->Taipei)

Approximate number of km ridden on scooters: 225

Best hotel (overall): Kamandalu Resort, Ubud, Bali. A connection to the cousin of the owner opened the door for staying in this swanky place. Gorgeous surroundings and really nice rooms. Private verandas looking over rice paddies. The service was also excellent. We went out riding bikes around the rice paddies one day and came back sweating. Pretty soon after we entered the lobby we had cool moist towels to wipe our faces with. Perhaps the only nicer place I’ve stayed is the ridiculous Schlosshotel Veir Jahrezeiten (Four Seasons Palace Hotel) in Berlin. (They had a Ferrari convention while we were there and it didn’t seem out of place.)

Best hotel (value): Hirano Guesthouse, Kyoto. 3500 yen a night in Kyoto is very cheap and besides a nice place to stay, the owner was very friendly, helpful and accommodating, making us tea when we came home for a break in the afternoons. She also made us breakfast every morning, let us use her bicycles and computer/ internet. Oh and there was a candy bowl and after we ate an unreasonable amount of it, she didn’t complain, she just refilled it.

Number of American chain stores patronized (not counting convenience stores, exact): 3 (2 Subways-Taipei, 1 Denny’s-Kyoto)

Number of American chain stores patronized (counting convenience stores[1], approximate): 22.2 (the above + Circle K’s in Taiwan, Bali, Thailand, ampm’s in Japan, plus 0.2 for a Mister Donut in Japan[2])

Oddest food obsession: Harbo’s Happy Cola gummy candies

Most common food eaten: rice (~ >1.5 servings a day)

Most common food product eaten: Kinder Chocolate (~ 0.6 a day)

Most “exotic” foods eaten: crickets, silk worms, frog

Number of Dr. Peppers consumed: 2 (one in Japan, one in Thailand)

Foods most missed: good bread, good cheese, Dr. Pepper, good beef, shelled shrimp, deboned fish.

Number of Hello Kitty products seen: in the thousands

Number of Hello Kitty products purchased: 1 (alarm clock, convenience store, Japan)

America: so quiet, so dark, so many English speakers, so many whites/ latinos/as, blacks. big supermarkets. low population density.

Least useful piece of clothing: dress shirt (the greenish one, never worn, given away at the end)

Most useful piece of clothing: shoes (the brown Adidas, nearly daily)

Most useful piece of clothing out of its original purpose (and new use): board shorts-style swimsuit (exercise shorts)

Piece of clothing I most immediately realized I’d forgotten: navy blue cotton boxers (that I use as warm weather pajama bottoms)

Number of books read: 5.75 (2nd 0.5 of Slow Man by Coeztee, Love is a Mixtape by Sheffield, Can’t Stop Won’t Stop: a Story of the Hip Hop Generation by Chang, Sex Drugs and Cocoa Puffs by Klosterman, Born on a Blue Day By Tammet, You Don’t Love Me Yet by Lethem, first 0.25 of About a Boy by Hornsby)

Number of concerts attended: 3 (Emily the Band @ Underworld, Apples in Stereo @ the Wall, Sugar Plum Ferry @ the Wall)

Number of CDs purchased: 19 (5 in Hong Kong (Monitor), 5 @ WWR (1st trip), 5 @ WWR (2nd trip), 2 @ IMPO, 1 @ FINAC, 1 @ Roses(?))

Number of pieces of mail received: 6 (3 packages of promo CD(s); 1 each from Ian, Lauren, Gumbeaux)

[1] This is tricky because things are confusing. 7-11 is Japanese for instance.

[2] Mr. Donut is an American brand but the Asian stores are run by Duskin Co out of Japan under a licensing agreement.

I learned on Friday about the Taipei Golden Horse Film Festival. Pretty much immediately after I found that some of the movies I most wanted to see (”Darjeeling Limited”, I’m Not There, Persepolis) were either sold out or at times that I couldn’t go to. Doh!

Another one that I was psyched to see (Ki-Duk Kim made the amazing “Spring, Summer, Fall, Winter…and Spring”) is only showing in Korean with Chinese subtitles.

However! Not all is lost. I did go to see Steve Buscemi’s Interview last night and I bought a ticket for the Sigur Ros movie. I’m still undecided about whether to see This is England or not.

I wasn’t actually expecting a ton from Interview, as it seemed like a pretentious indie two-person character piece, but it turned out to be alright. It was pretty engaging and well-written and the ending wasn’t quite what I expected.

I also found out that Before the Devil Knows You’re Dead is showing in at least one regular theater here (not as part of the film festival, that is) so maybe I’ll go see that in the next few weeks.

A couple weeks ago I went swimming. The next day my left ear felt a bit weird and my hearing felt muffled. I thought there was some water still in it. After a few days it still felt weird so I had assumed it had developed into a minor ear infection, “swimmer’s ear”.

After two weeks, I decided I should have it checked out. I’m going to be place next week where it’ll be even harder to go to a doctor, so with the help of some coworkers I went to a doctor this evening and he checked me out.

There’s no water, ear wax or ear infection in there. The doctor things it’s noise trauma. Basically (hopefully) short term partial hearing loss. (Ironically, I’d light-heartedly talked about thinking I was going deaf in my left ear because my ear buds were breaking about 3 weeks ago.) His instructions: no ear buds/ headphones and try to limit limit noise for a few days.

The short term is unpleasant: no ear buds at work (at night I can play music softly on speakers that I have) means no music and I don’t like being without music. It makes me antsy. I’m going to be on planes and trains for most of Friday, alone and that would be a particularly nice time to listen to some tunes. More than it being nice, at times I almost find it necessary. After a bad or long day, after a frustrating decision, when I need to drown out this foreign world or mitigate loneliness, music is often my first resort. It may not be the best thing to turn to but it’s certainly better than turning to the bottle. This is a bit distressing.

The longer term, the prospects, the possibilities, at least, are traumatizing. That there’s even a possibility of longer term hearing loss is scary. Music is a big part of my life and between being a college radio DJ and having a music blog it’s more like a vocation. That that might be endangered or altered permanently is not a prospect I look forward to.

Just to note, I’ve always been very careful about the volume of my music on earphones and other people who try my headphones often think I listen to music too softly. I wear ear plugs at concerts, even advocating them publicly. If there’s one probable culprit here it’s listening to music on the bus and/ or while walking along streets here. Both are quite noisy and can encourage a louder-than-healthy volume on ear buds.

Last week I got to see the Legong of Mahabrata @ the Ubud Palace, Ubud, Bali, Indonesia. The group performing was Sekaa Gong Jaya Swara Ubud. It was balinese dance accompanied by gamelan. Gamelan is an Indonesian (Balinese and Javanese) music with tuned percussion instruments, instruments like (but not exactly) xylophones (metallophones), tuned gongs, cymbals, barrel drums (kendhang). Sometimes, like in the gamelan I saw, they also have fipple flutes and a two-stringed spike fiddle called a rebab. (It should be noted: gamelan is a set of instruments, not the players/ history. The Berlin Philharmonic is the people, not the particular instruments they play.)

The venue, the Ubud Palace, is a courtyard of a 16th century palace. Not to be flippant, but it’s sort of like making the Great American Music Hall a lot more historic and even more beautiful.

The group came in, some dancers and the gamelan players shaking these tuned bamboo rattles called anklung in addition to the barrel drums mentioned above. The players went to their seats and there was a pause before the music began.

Gamelan itself means hammer. That’s because most of the main instruments are struck with hammers of various sorts. The music often starts fairly simple and slow. One line on the metallophones and one on the cradled gongs. More lines come in. People with hammers are hitting the instruments with one hand and selectively damping them with the other. All this while amazing and tremendously precise dance was going on in in the middle of the U made by the instruments.

I was completely enthralled from beginning to end. I have to say, I’ve been to some great shows this year, some that I might even call “better” but quite possibly none that kept my attention as singularly as this one.

Gamelan “Gender” Wayang - Krepetan (mp3)

(I searched for a while I’m really not sure where you can get this CD other than in Bali. Amazon has other Balinese gamelan CDs, though.)

Gamelan Gong Kebjar - Hudjan mas (mp3) (buy)

My other music experience while on Bali was marching ensembles in a Balinese death parade and ceremony (amazing for many reasons, but I’ll just stick to the one here.)

They played similar instruments to the gamelan: tuned gongs, hanging gones, cymbals and barrel drums, but they also used whistles and their voices, even breaking into the ketjak rhythm for a moment. Here I was able to get right up up next to them and be almost surrounded by the sound. The tuned gongs were doing a slower rhythm while the cymbals were being hit together at a very fast pace, only to suddenly stop and all by thrust into the air. It was great.

Here’s my playlist from this week.

here’s the mp3 of the show which you can download and listen to if you wish (mp3).

Local folksy band Beatbeat Whisper appeared on the show and play a live set.

Last night I saw Jonathan Richman perform live accompaniment to the 1921 Swedish silent movie Phantom Carriage at the Castro Theatre.

I haven’t been to the Castro Theatre in a couple years and as I went in and saw the beautiful molding and ornamentation in the theater, I remembered how amazing that place is. There was an interesting mix of people milling around and finding their seats: Jonathan Richman fans, silent movie aficionados, indie movie people, etc.

If you’ve never seen a silent film with live musical accompaniment, I’d recommend it. It’s usually a pretty good experience. The semi-improvisational nature of the music adds a lot of excitement to the movie.

The movie itself is pretty complex for the time. The plot’s based around a Swedish folktale. The idea goes that the last to die in a year that has bad things has to spend the rest of the year being Death’s carriage driver. It employed a few techniques that I was surprised were employed then, including non-linear story telling and some fairly good special effects techniques for the ghosts.

On now onto the music. I’d seen Jonathan Richman before. He’s really quirky live and has a lot of charisma and stage presence, so I was really curious how it’d end up when these things were taken away. The set up was Jonathan on (nylon string) guitar and pump organ. Other players were two hand bell players, a trumpet/ baritone player, a bass clarinet/ saxophone/ flute player, a violinist and a cellist. I thought their accompaniment was really good and all the players were very talented. It worked really well with the movie. The main characters had motifs and there were parts were these two motifs were almost colliding when two characters were talking or arguing. A daring move was during certain particularly intense moments in the movie there they left it completely silent; I think it paid off.

View the full photo album.

Update: I’ve noticed the bad justification to the text next to the photos. I have tried to fix it, but it’s stubborn. Sorry!

I scanned and uploaded a bunch of black and white photos to my picasa thing.

Galleries include Pittsburgh over Christmas, my first try at fisheye, the Oakland A’s last game of their sweep of the Twins in the playoffs, Jose Gonzalez @ Stanford, and John Vanderslice @ Stanford.

I’ve been doing this in stealth for a couple days, but I feel like it’s time to announce my other blog. It’s a music blog.

I’ve felt for a while that I was writing too little about music for this to be a music blog and too much about music for this to be a personal blog. In one case, outside readers see too much personal ranting and in the other, friends get alienated by the constant music talk , so I’ve split it off.

I’ll still be blogging here. I won’t be posting here about music, unless it’s related directly to me, like music I write/ record, radio playlists or if it’s a mixtape. I’ll be co-posting the last two of those.

I feel a bit weird about it—I’m always written this for myself and maybe a couple friends, but writing about any specific x is an admission that someone wants to read that. Now I have a whole blog where I pretend that people want to read my writing about music.

Last night I saw Elvis Perkins (in Dearland) at the Cafe du Nord. I got there a little bit before he went on when they were finishing setting up and sound-checking their mics. I was a bit surprised because they had large diaphragm condensers for his vocals, the harmonium and as an overhead for the drums (?!).

When Elvis and co. came out, they pretty quickly launched into “While You Were Sleeping” which was fine with me, as it’s my favorite track off of his album Ash Wednesday. The band consisted of Elvis on guitar and vocals, a guy that switched between guitar, harmonium and trombone; an upright/ electric bassist and a drummer/ percussionist. Everyone sang back up vocals. “Ash Wednesday” followed soon afterwards. His sound from the get-go was really good. His voice was clear and the mix was nice.

His set quickly veered away from album songs. “Weeping Pilgrim” was a great song. I think it’s a traditional song. It was rollicking and fun. On a few songs including that one, the drummer got out from behind the set and played a marching bass drum with a mallet on one side and a set of jingles (like on a tambourine, but in a line) on the other.

All in all, the show was a lot of fun and the band and sound were good. I’d definitely recommend it if you like Ash Wednesday or if you’re on the fence about Elvis Perkins.

Perkins did do a couple things that could be taken as arrogant or endearing, depending on how you look at it. The one that I’m mostly thinking of was before the last song he said “Well, the last song before we go backstage and you clap for a while and we come back out.” and then later while people were clapping he stuck out his head out of the dressing room and said “louder!” It was a little much

more photos after the jump

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A pretty good evening last night.

First Uncle Frank’s BBQ in Mountain View w/ andyl and liz. This place is awesome. You walk through to the back of Francesca’s bar to get there and it’s the sort of place where there are paper towel holders at the tables. They don’t mess around. Ridiculous brisket, good links and ribs, good corn bread. I couldn’t get to the sides (baked beans and greens) due to stomach capacity issues. Hilarious waitress.

Second, my friends the Light Footwork played at Make Out Room. They have cheap beers. When’s the last time you got two pints (Anchor Steam and PBR) for $6? (Answer only if you live in an overpriced city.) The Light Footwork put on a fun show, as always. I also ran into KZSU alum Nick Mirov again. We chatted about SXSW and various bands.

Really, I can’t complain. Good times.

I’m a little backlogged as far as the concert review posts go, but here’s one I definitely wanted to mention.

[As a side note, does anyone but myself like these concert reviews?]

On Friday I saw Hrishi Hirway and the One AM radio at Fort Oregon in Berkeley. I’ve mentioned the One AM Radio before in this post about his kickball music video (which I still love) and this concert recap of his last Fort Oregon show.

Gumbeaux and I got to the Fort around 10pm. It’s just a house in Berkeley with occasional shows in the basement. As a venue it’s pretty odd–you’re standing under ducts or next to a furnace quite often. The opening band was the Golden Birds. It was quite a turnout for them and I think they have a following around here. The basement was pretty full. They were good indie pop but the sound seemed a little bit like a band playing in someone’s basement.

The One AM Radio’s sound combines the electronic elements with intimate vocals and colorful arrangements. Their live set up this time through was Hrishi on guitar, vocals and laptop operating; a tenor saxophonist, a tenor/ alto saxophonist and an upright bass player. The only things that were amplified were the vocals, guitar and laptop.

The One AM Radio started out with the Greatest of Ease (mp3). A really nice version of “Drowsy Haze” with the audience singing backups followed [1]. After a few songs from the new album (including In the Time we’ve Got (mp3)) he asked if there were any requests and after hearing a few, he played Flicker (mp3). He then played my favorite new song (”Echoing Airports”) and favorite old song (”All I Can Recall is the Haunting”) in a row.

His last show I was pretty tired and wasn’t all that into it. This one was completely different. I enjoyed it a lot. The mix was great (despite the fact that the mix was being done by the guitarist/ vocalist/ laptopist and the rest weren’t being amplified); Hrishi’s voice was great; the song selection and the songs were great.

[1] I have mentioned it before but I’ll mention it again: I like when bands ask the audience to sing along. I like it a lot.

First: Winner of the Noise Pop one day music video contest, the Blammos “Girl of My Dreams” video. The guy walks around the Mission and sings a love song to strangers.

Second: (for the jdawg, a pinball wizard) a Pepsi commercial with San Francisco as a giant pinball machine.

(both via sfist)

Last week, I saw Mr. Ted Leo a couple of times, first as part of Noise Pop and then as part Stanford Concert Network’s campus concerts.

I came to the first concert with a familiarity with Hearts of Oak and Shake the Sheets. I like those albums, but didn’t play them too often.

I got there on Friday just before the Georgie James set. They were competant musicians, but it was sort of take it or leave it in the end… I might post separately about some thoughts it got going in my head, but I don’t want to connect them directly with this band, because the thoughts aren’t.

After the usualy pre-headliner shuffle and push toward the stage, Ted Leo came up to much applause and excitement. Immediately he started rocking out with high energy. After a handful of songs, I started thinking “oh, he’s just playing the hits. what’s he going to do when those run out?” After a few more songs I realized he wasn’t just playing hits; his catalogue is just really good.

He bantered well between songs, answering people yelling out from the audience and whatnot.

Ted Leo live is like the best things from punk, indie rock, and folk. Punk: high energy and a DIY melody. Indie: great melodies and chord progressions. Folk: interesting and multi-layered lyrics.

Ted really goes all out with the whole show. I’m surprised he can put so much into his vocals and not completely destroy his voice. His falsetto is pretty amazing, too.

He played a handful of new songs, including a really great one called “Lost Brigade” with a really nice repeated line “Every little baby has its own song” (which doesn’t sound great when I write it, but you can check out a live version of the song here). They also did a live covers of Chumbawumba’s “Rappaport’s Testament: I Never Gave Up” and the old Irish tune “Dirty Old Town.”

I went in not knowing what to expect and in the end, I was pretty much floored by his performance.

Sunday’s concert (which the Stanford Daily covered) had different openers: Stanford bands. They weren’t really good at all, though the last, the Bee’s Knees were an interesting combination of 50’s throwback and modern pop.

It was in an odd venue, Kresge Auditorium. Immovable seats close to the stage made for awkward standing during the show. The crowd was not your standard indie rock crowd. Far more—what do you call them?—frat boys in attendence.

But for Ted’s part it was a fairly similar performance in that he brought his A game once again. There was a fairly similar set list, but he was still great. One amusing anectdote from the evening was when Ted started saying that their set was originally going to be longer but … (then he sort of trailed off, I think he was going to say that his voice was starting to go or that he wasn’t feeling well). Someone from the crowd then shouted “Fuck you!” to a completely stunned Leo and crowd. He then just said something like “Okay. I guess we’ll keep going” and then they rattled off another half dozen songs.

Overall, two really enjoyable shows.

Recommendation: go see Ted Leo when he comes to your town. He’s touring the US starting at the end of March. Check to see when he’s in your town and buy tickets.

Overheard at last night’s Mountain Goats show at the Bottom of the Hill.

Peter Hughes: You know, we’ve been playing at the Bottom of the Hill for so long that I remember a show where my now ex-wife’s best friend was buying us shots of liquor.

fan, from the back: yeah, it was Old Grand Dad

Peter: yeah, it was.

and later in the show

fan, diferent from the first: T SHIRT SONG!

John Darnielle: There is no such song!

fan: T SHIRT SONG!

JD: It was an improvisation and therefore not a real song!

So my ridiculous pursuit of the moment is my concert list

It’s meant to be a list of every concert I’ve ever been to. It’ll never be complete, but I’m trying. I have a lot of concerts on there already and then I have a lot of concerts that I don’t remember/ can’t find the dates of.

Fionn Regan topped my list of best albums of ‘06 and for the first time (I believe) he’s touring America.

Well, actually he’s just playing four dates. But if you’re in Austin (or will be for SXSW) or NYC, you really shoud go:

15 Mar Stubbs Austin SXSW
16 Mar BD Rileys, 204 East 6th St Austin SXSW
17 May Mojo BBQ (1-4pm) Austin SXSW
20 Mar Mercury Lounge (7.30pm) New York w/ Get Cape Wear Cape Fly

So buy tickets already!

I haven’t been to a rock show in a while and all of a sudden, it seems like I’ll be going to quite a few, with Noise Pop this week, a couple of Stanford Concert Network shows and some random bands coming through (some of which I’m considering/ am seeing multiple times). Here’s what it looks like:

• February 28: Noise Pop: Sebadoh (original line up) at Great American Music Hall
• March 1: Noise Pop: Alexi Murdoch w/ Aqueduct at Cafe du Nord OR
• March 1: KZSU presents Hella at the 750 Pub, Stanford
• March 2: Noise Pop: Ted Leo at Great American Music Hall
• March 4: Ted Leo at Kresge Auditorium, Stanford
• March 7: Mountain Goats at the Independent
• March 9: Mountain Goats at the Bottom of the Hill
• March 10: Long Winters at the Independent
• March 16: the One Am Radio at Fort Oregon, Berkeley

There are also Badly Drawn Boy w/ Adem, Elvis Perkins, Adem (headlining) and other bands at the end of March. Goodness, life’s so hard.

I saw a review of I Belong to this Band: 85 Years of Sacred Harp Recordings in the latest Rolling Stone (which I apparently have a subscription to, maybe because I’m a world famous radio DJ.) I tried to find Rolling Stone’s review online, but I did find one in Stylus.

From that CD, I found a documentary about Sacred Harp, Awake My Soul. Did anyone see this? Apparently it aired on PBS recently. The trailer actually give a decent, quick introduction to Sacred Harp singing.

For a taste of it, listen to my favorite song in this style (from the Alan Lomax-recorded Southern Journey, V. 9: Harp of a Thousand Strings - All Day Singing From the Sacred Harp by the Alabama Sacred Harp Singers):

Alabama Sacred Harp Sings - Sherburne (mp3)

Sacred Harp (wikipedia!) is a form of shape note singing, which was developed as a form of notating music such that four shapes on either a line or a space indicate the eight notes of the scale. Sacred Harp was a hymn book written using shape notes in 1850s. It’s been sung in pretty much the same way since that time, largely in the American South. See also: how Sacred Harp is sung.

Usually there is a different conductor for each song. The singers run through the melody once on solfege before running through the song once. They then move right on to the next conductor and the next song. There’s no practicing or rehearsing songs.

My favorite idiosyncrasy the style are that the singers just sing. There are no pretenses of being polished.

In much the same way that it’s been sung for the last 150-odd years, it’s still sung today, in fact, I could (and am considering) sing in a group in Palo Alto though, I have to admit I’m not very good at site singing.

Last night I saw Ralph Stanley at St. John’s Presbyterian Church in Berkeley. Laurie Lewis opened. Tickets were due to my wicked smarts and quickness with the internet in responding to a flavorpill quiz.

Laurie Lewis (and Tom Rossum and the Right Hand Band) was up first. She’s a local bluegrass fiddler and singer. Her band’s set was good and her band’s tight. It went by pretty quick.

Ralph Stanley and the Clinch Mountain Boys came up next. Right at the beginning of the set, Laurie came back on and made a big deal because it was the eve of Ralph’s 80th Birthday. They had a cake and a proclamation from Berkeley’s mayor.

Once the festivities ended, the set started in earnest. Ralph introduced the members one by one (including Ralph Stanley II and Nathan Stanley, the grandson) and they did a short number featuring that member. They then did a few full band numbers, Ralph did ‘O Death’ solo and a capella, and then went back around featuring each member that had a solo CD out (which was most everyone). From there it was a couple more full band numbers before the set ended. Ralph didn’t do all that much in the set aside from singing on the full band numbers and playing clawhammer banjo for one song. It seemed a bit obvious to me that this was, at this point, a franchise. They were selling the Stanley name and artistic vision more than his actual musicianship. It sort of reminded me when I saw the Count Basie Orchestra 15 years after Count’s death.

All of that said, his band was tight. When you’re Ralph Stanley, you can get some good pickers for your band, certainly. Going into the show I was actually a bit afraid that the show would drag on a bit, but, even though the set was well over an hour, it didn’t bore or drag on. For Ralph’s performances himself, he certainly can still sing and play a mean clawhammer banjo. I enjoyed the night.

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Daytrotter has some mp3s of a recent in-studio by Elvis Perkins. They’re four songs, all originally on Ash Wednesday. The voice recording is a bit boomy but they’re otherwise good.

Somehow I missed this: Pitchfork publishes a weekly list of bands and artists on TV that week.

For example, this week’s:

Monday, January 22:

ABC: “Jimmy Kimmel Live”: Nas (rerun)
CBS: “Late Show With David Letterman”: Nellie McKay with the Brooklyn Philharmonic
CBS: “Late Late Show With Craig Ferguson”: Lady Sovereign (rerun)

Tuesday, January 23:

CBS: “Late Show With David Letterman”: the Shins [1]
NBC: “Late Night With Conan O’Brien”: Cheap Trick (rerun)

Thursday, January 25:

CBS: “Late Show With David Letterman”: Gwen Stefani (rerun)
NBC: “Late Night With Conan O’Brien”: New York Dolls (rerun)

Friday, January 26:

NBC: “Last Call With Carson Daly”: Young Jeezy (rerun)

Saturday, January 27:

NBC: “Saturday Night Live”: Ludacris (rerun)

Monday, January 29:

MTV2: “Subterranean”: the Shins

Now you can totally be up on that stuff. Set your Tivos!

[Update:] [1] Did anyone else catch this? Did you see Gibbard playing with them? That man’s everywhere!

There are a few links I’ve been meaning to put up. Things I find interesting but I don’t want to add to the sidebar on the right.

Random links:

• designverb: a blog about design related topics, largely product design and the like. fairly interesting stuff.
• rbally has a nice Cat Power show from Berlin for download [update: rbally seems to have taken this down/ broken]
• youtube has a great chemistry lab safety video explosion. (dylan, are you seeing this?)
• bitsandpieces silly college humor, but sometimes entertaining
• wikipedia has a list of African countries by GDP (adjusted for purchasing power parity) per capita. South Africa’s on top, but barely. For reference, the US is 3rd in the world for GDP (PPP) per capita at about $42,000.
• oregon trail is it possible you haven’t played this game? there are even shirts about it. And you can download an emulated version
• Tom Wilson I feel like I should add him to my list of best producers. He did Dylan, Simon & Garfunkel, Velvet Underground and more

There were a number of the links on that kottke best links of 2006 list that I had already seen, but I’d enjoyed.

• Simpson’s beginning, in live action (British made)
• when indie yuppie took off (a term/ concept created by Vice records honcho Adam Shore and pushed by stereogum
• Wes Andersen’s odd AmEx add don’t leave home without it
• how to get a human customer service representative at a lot of companies
• a Henri Cartier-Bresson photo gets trashed on flickr
• a picture of eyes above an honor-system drink payment box makes people more honest
• easily mispronounced domain names whorepresents.com? still hilarious
• Jimmy Kimmel’s hilarious ‘Unnecessary Censorship’ video put bleeps where there weren’t any before and it makes things very funny
• devastating photo of a homeless heroin addict in the Tenderloin (where I often go to the Great American
• Aries Spears rap impressions
• Noah takes a self-portrait everyday for 6 years and makes a video of it interesting, haunting eyes

My New Year’s Eve activities included seeing Pan’s Labyrinth and later the Light Footwork at the Hotel Utah.

I was intrigued by Pan’s Labyrinth because it had one of the highest ratings I’d seen for a movie on metacritic. It also has a pretty interesting description in some of the reviews: it’s a fantasy movie and a war movie and a love story and… It seems like there’d be a lot going on but while you’re watching it, it doesn’t. It’s a fairy tale of sorts, but it’s possibly the most gruesome fairy tale you’ll see this year.

Post-Spanish civil war, mid-World War II, Ofelia and her very pregnant mother travel to the mountains of Spain to join the new husband/ step-father. He is a captain whose mission is to eliminate the remaining resistance in the area. We quickly learn that he’s not a nice guy. Ofelia is fascinated with fairy tales. During her first night at the mill, a fairy comes and leads her to a labyrinth on the premises. A faun explains to her that she is the long lost daughter of the underground king and that to return to her throne she must complete three tasks before the full moon (in a few days).

The rest of the movie is her trying to complete these tasks, the struggle of the resistance, a love story between one of the resistors and one of the people working under the captain, the struggle between her and the captain, etc.

I still don’t know quite what to make of it. It’s still swimming around in my head. It’s a light fairy tail and, yet, it’s heavy and affecting.

Later in the evening, Gumbeaux and I went over to the Hotel Utah. I’ve known the guys from the Light Footwork for a while and recently heard them live for the first time. They were playing their first gig “out”. The Hotel Utah is small venue which has apparently been around forever.

They put on a fun set full of their signature indie pop songs. Lots of energy. The one area I think they could work on is the banter. (Without some talented DJ leading the banter, it fell a little flat.) Gums and I weren’t in the mood for more, so we left after the Light Footwork.

A couple weeks ago, I finished Body Piercing Saved My Life by Andrew Beaujon (named after the “clever” shirt.) (Amazon, , one review, two mp3-blog like posts by the author about Christian music)

It’s a look at Christian Rock, capital C, capital R, by an outsider. Beaujon is a writer for Spin so he comes from the mainstream rock criticism side of things. I’ve never been really involved in the scene he talks about although I stood at the edge of it a couple years, so I’m a bit of an outsider to it as well. (Which reminds me of a post about an article of the same topic and perspective…)

He spends chapters looking at aspects and events in the Christian music world. He looks at particular bands and people as well as other cultural forces like Mars Hill Church and Tooth and Nail Records. There are various people that come off earnestly and then there are some more slimey people. I’d heard some negative things about T&N (that they don’t give their bands a fair shake) and they were sort of confirmed in this book.

Perhaps my favorite section is the chapter about David Bazan (at the time of the interviews, still in Pedro the Lion). Where a lot of interviewees seem to sidestep questions that might result in controversial answers, Bazan seems to take any and all questions head on without flinching. Sufjan denied the interview request, apparently, so there’s only a brief section on him, which was a bit disappointing.

Overall, it’s an interesting, informative and well-written book about a large cultural phenomenon (Christian records easily outsell jazz records currently). I’d recommend it if you are curious about the scene or genre.

I’ve since moved on to the Dave Eggers editted The Best American Nonrequired Reading 2004.

That Beirut show that I went to has has popped up at the Internet Archive.

It’s a really good show, even in repeat. There’s a woman screaming like an idiot next to the guy recording it for the first song and a bit of the next couple, but once you get past that, it’s a worthwhile listen. It’s available in a number of formats, too (mp3, ogg, FLAC). And it’s free.

There are a couple entertaining videos that I found or ran across in the recent times:

Aries Spears impressions while freestyling. This is a guy doing impressions of LL Cool J, Snoop Dog, DMX and Jay Z while freestyling. It’s pretty dang impressive, though I’m not familiar with DMX at all and only somewhat familiar with the other three. I’m still very impressed. (A couple things of note: a) that’s Live 105, in SF and that’s the same studio where I did the college dj of the week thing and 2) it appears Woody, one of the hosts, is a Steelers fan as he’s sporting a hat and a Willy Parker jersey). (via stereogum)

Peyton Manning Mastercard Priceless Ad. I can see how you might not like Peyton Manning, but man, I love this commercial which started running last year. They have a second, similar one this season but it’s not as good. I laugh every time I see this one.

[Update:] Oh man, I found another Peyton priceless commercial and it’s hilarious too. Also, there’s a blooper commercial from the first Peyton video and the making of (including the actual commercial at the end) a third in the series.

I went to see Bishop Allen (their myspace page) on Thursday at the Bar of Contemporary Art. They were the second of three on the bill, the headliners being the Starlight Mints.

If you don’t know Bishop Allen, check out some of their mp3s on their webpage or listen to the ones I’m going to hand pick for you:
Bishop Allen - Same Fire [from June] (mp3)
Bishop Allen - Flight 180 [from April] (mp3)
Bishop Allen - Things are What you Make of Them [from Charm School](mp3)

They’ve announced (and so far followed through with, though sometimes a bit delayed) a plan to release an EP for every month until they release their next EP. I can’t imagine doing this, especially for months when they’re touring. I may or may not have bought all the months EPs they had for sale at the show (January-August). I’ll possibly post a review of all of them later.

Bishop Allen went on after a somewhat clever but ultimately unexciting opener. The stage at BoCA is basically tiny, so the drums were off to one side, instead of the usual behind-the-leadman and the bass player and guitarist were behind the drums. Sort of an odd set up. I feel like I’m fairly unfamiliar with Bishop Allen—I’ve only listen to Charm School a few times and then the mp3s that they’ve offered up for the month EPs, but somehow I went through the set knowing most of the songs they played (maybe all but two). That’s always kind of nice, knowing the songs a band is playing.

They played well. Particularly I liked the versions of “Busted Heart”, “Same Fire”, “Flight 180″ they did. It was a fun and energy-filled set.

After Bishop Allen, the bar cleared out before Starlight Mint came up and continued clearing out throughout their set to the point where about forty people were left. The sound for the first part of their set was really badl; well the vocals were too low for the whole set but sound at the beginning was particularly muddy. They did a number of halloweeny or horror movie sounding songs at the beginning and that, combined with the muddy sound, put me off for most of their set. I must say I liked the last few songs they did.

I’m pretty excited to say that super-local (Redwood City) blog favorite the Light Footwork will be performing live on KZSU’s Wednesday Night Live, its live local band show, on Wednesday December 13 at 9pm (PST). I’m going to be hosting the program. Let me know if you have any burning questions for the band; I can ask them between song.

If you don’t know the Light Footwork yet, check out some mp3s. (Or check out any of the aforelinked blogs.)

Also, Jay (of tLF) and I hit up the Bishop Allen show at BoCA in SF last night. Good show. I’ll write more about it later. Something I was pretty amused by: someone took one of those ‘VisitorR